QUOTE (Shan Yu @ Jun 24 2009, 10:28 AM)

As i said before, i dont care what you like or dont like Wolfe. Apparently you think one part of this is about what you like or dislike? Its not. You and your opinions dont mean jack. You obviously have a problem with reading comprehension, but that is pretty plain.
Oh, yes! The one who is mistaken speaks... and gets it all wrong! No surprises, here.
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If you have studied music theory, you would (although in your case its safer to say you probably wouldn't) see the similarities in the elements of composition structure, which is what I was referring to in the first place. And yes, the the classical music and Shores' or Williams' scores are very similar - the major theme and movements of the music thru out the composition. Are they identical? No, but the similarities strongly suggest that they are based on the same principles. Yet somehow you think the comparison is all based on i common instruments? For the life of me, i dont know where you got that from, as I never brought it up. Guess you took your own idea and ran with it. Absurd.
Let's see... when did I ever mention they weren't similar? In fact, the rock and rock/country example I posted was to show that they were similar, but different 1) by genre, 2) by period, 3) by style, 4) by structure. Whoops. Any opinion to the contrary came from you, and the fact that you are still attempting to classify film scores as such is what's absurd here. But I guess you're incapable of comprehending that.
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The idea that a score for a movie is somehow "different" from a classical composition circa the 1700's is utter bunk. You brought it up, so take Williams Star Wars score. If you first heard the track without having seen the movie, what would you think? How would you classify the music? If you answer the question honestly, theres only one answer. It falls into the classical genre, plain and simple.
Bull. And shit. Only the uneducated would make that classification, so if that's what you're confessing to, then by all means: move along, because these are not the droids you're looking for.
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If you want to narrowly define classical music as music created in the 1700's to the late 1800's, go ahead, but its not really correct. Its the composers of that period who can be slotted like that, but not the genre of music. Like rock music, like jazz, the blues and every other form of music, classical has evolved. No matter how much it has evolved, the roots of the music that was compoosed in the 1700's versus 2000's are there. So go on, call me more names if it makes you feel better. It might help, but we both know it really wont because we both know I am right.
Who did so? Try reading what I wrote, for once.
Here's the statement that broke it all down for you to handle:
QUOTE (WolfeFPS @ Jun 23 2009, 12:00 AM)

"Classical" is colloquially defined only by period. Classical, romance, and baroque as genre are specifically defined by style, and while they enjoyed their eras of proliferation, are not confined to definition by period. Film scores are not usually classical. Symphony does not, in and of itself, connote classical.
Had you studied musical theory and/or even history, you'd know that classical as a style is
specific style. It has barely "evolved," save for some occasional and added contemporary twists, and neither has baroque, which is also a style still being composed today. By the way, in case you still don't get it, this where the rock analogy comes into play.